扎根乡土 黄梅芬芳——黄梅戏望江龙腔民间传承人陈玉培先生访谈录  

Interview with the Inheritor of Wangjiang Long Tune

作　　者：张瑾 ZHANG Jin(School of Humanities,Anqing Normal University,Anqing Anhui,246133,China)

机构地区：[1]安庆师范大学皖江历史文化研究中心,安徽安庆246011

出　　处：《安庆师范大学学报(社会科学版)》2024年第6期47-51,共5页Journal of Anqing Normal University:Social Science Edition

基　　金：安徽省高校科研重点项目“文旅融合视角下的皖江戏曲文化研究”(2023AH050443)。

摘　　要：黄梅戏形成之初,吸收了活跃在皖、鄂、赣三省交界处的诸多民间戏曲声腔,望江龙腔就是其中之一。陈玉培是黄梅戏望江龙腔第四代传承人之一,青年时代与望江龙腔结缘,他一生学艺、从艺、授艺,足迹遍布皖鄂赣三省,始终活跃在广阔的乡村戏曲舞台上,成为黄梅戏望江龙腔在民间发展的见证者与实践者。他的个体经历既具有地方性,又具有民间戏曲传承人的普遍性,展现了黄梅戏望江龙腔在民间自然演进的轨迹,反映了民间戏曲传承人及戏曲班社的生存状态及发展困境。在他的访谈中可以看到民间戏曲传承人对黄梅戏的深切热爱。望江龙腔等戏曲非遗的传承保护,需要专业院团、新媒体等机构对民间戏曲从业者、爱好者予以指导,使其在民间土壤上焕发出新的生命力。Before the official name of Huangmei Opera in the 195os,it's vocal cavity art and script repertoire absorbed many folk vocal active at the junction of Anhui,Hubei and Jiangxi provinces,among which Wangjiang Long Tune is one of the sources of tunes and repertoire of Huangmei Opera.Chen Yupei is a native of Wangjiang,who has studied Wangjiang Long Tune with the third-generation inheritors of Wangjiang Long Tune since he was a teenager,rooted in the countryside and made a living from it,and has traveled all over the junction of Anhui,Hubei and Jiangxi provinces,and is a practitioner and witness of the development of Wangjiang Long Tune and Huangmei Opera art in the people.Through Mr.Chen Yupei's interview,we can see the natural development of Wangjiang Long Tune as a folk art and the long-term contribution made by Huangmei opera art as a local drama in serving rural spiritual civilization.

关 键 词：望江龙腔 非遗传承 黄梅戏 

分 类 号：J825[艺术—戏剧戏曲]