海昏侯墓器物中的“五色”观及其文化象征研究  

Research on“Five-Color”View and Cultural Symbols in Artifacts of Haihun Marquis Tomb

作　　者：戴沂君 王子文 Dai Yijun;Wang Ziwen(Faculty of Art and Design,Jiangxi Institute of Fashion Technology,Nanchang,Jiangxi,330038;Faculty of Fine Arts,Jiangxi Science and Technology Normal University,Nanchang,Jiangxi,330038)

机构地区：[1]江西服装学院艺术设计学院,江西南昌330038 [2]江西科技师范大学美术学院,江西南330038

出　　处：《地方文化研究》2024年第5期29-36,共8页Local Culture Research

基　　金：教育部人文社会科学研究青年基金项目“海昏侯国器物图像文化传衍研究”(项目编号:23YJC760018)阶段性成果。

摘　　要：海昏侯墓出土器物是汉代皇室珍贵艺术遗存,其工艺精妙、色彩斑斓,不仅承载了丰富的物质文化遗产,更是中华传统文化精神的深刻体现。文章以海昏侯墓出土器物的色彩为研究对象,结合史学文献及考古实物图像实证分析,深入探讨文物中传统“五色”的文化观念及礼仪制度,旨在阐释海昏侯墓器物中色彩观念的实质。其是受到汉代儒家哲理影响的中国特有观念性色彩文化,有别于西方色彩本质的内核精神象征。The artifacts unearthed from Haihun Marquis Tomb are precious artistic relics from the Han Dynasty,showcasing exquisite craftsmanship and vibrant colors.These items not only embody a rich material cultural heritage but also serve as a profound reflection of the spirit of traditional Chinese culture.This paper focuses on the colors of the artifacts from Haihun Marquis Tomb,utilizing historical literature and archaeological imagery for empirical analysis.It delves into the cultural concepts and ritual systems associated with the traditional“five colors”found in these artifacts.It aims to elucidate that the color concepts in the artifacts are in essence a unique conceptual color culture in China,influenced by Confucian philosophy of the Han Dynasty,and different from the intrinsic spiritual symbolism of Western color theories.

关 键 词：海昏侯墓 器物 五色 文化象征 

分 类 号：G122[文化科学]