唐古题乐府《长歌行》《短歌行》的复与变  

Inheritance and Changes of Chang Ge Xing and Duan Ge Xing with the Ancient Yuefu Title in Tang Dynasty

作　　者：曹雨佳 CAO Yu-jia(College of Literature and Journalism,Sichuan University,Chengdu 610207,Sichuan)

机构地区：[1]四川大学文学与新闻学院,四川成都610207

出　　处：《湖北工业职业技术学院学报》2024年第6期50-57,共8页Journal of Hubei Industrial Polytechnic

摘　　要：从魏晋南北朝到隋唐,《长歌行》和《短歌行》不断地被历代文人拟作。通过辑录《乐府诗集》与《全唐诗》中唐代文人的拟作,从文本本身出发,进行文本细读以及纵向和横向的比较,探究其相对于前代的复与变。从主题上说,《长歌行》从生命观走向了历史观;《短歌行》从嗟叹走向了寄情。唐古题乐府仍然继承了乐府的传统要素,如歌唱套语、连环句以及化用前人词句等。而新变的方面包括,体裁趋于自由化,句式趋于散化,由一韵到底转变为有意识地转韵。From Wei,Jin and North-South Dynasties to Sui and Tang Dynasties,poets had been imitating Chang Ge Xing and Duan Ge Xing all ages.Through the compilation of Yuefu Poetry Collection and Tang Poems,the author makes a detailed reading of the texts and a vertical and horizontal comparison to explore their inheritance and changes compared with the previous generations.From the theme,Chang Ge Xing had shifted from telling life to history;Duan Ge Xing had gone from lament expression to emotions.Yuefu poems with ancient title in Tang Dynasty also inherited traditional elements of Yuefu,such as singing idioms,consecutive sentence and using previous words and sentences.While the new changes included that the genre tended to be liberalized,the sentence pattern tended to be scattered,and the rhyme shifted from single to the conscious one.

关 键 词：唐乐府 古题乐府 乐府诗集 长歌行 短歌行 

分 类 号：I207.2[文学—中国文学]