吴江派檃括曲创作及其曲学建构  

Wujiang School’s Yinkuo Qu Composition and the Construction of Its Quology

作　　者：时俊静[1] SHI Junjing(School of Literature,Hebei Normal University,Shijiazhuang,Hebei 050024)

机构地区：[1]河北师范大学文学院,河北石家庄050024

出　　处：《中国文学研究》2025年第1期108-115,共8页Research of Chinese Literature

基　　金：国家社会科学基金项目“北曲联套流变研究”(19BZW079)。

摘　　要：檃括曲在元明清三朝,代有人作,明代吴江派曲家对檃括曲创作、传播的热情尤其引人注意。其中,王骥德用南曲檃括词作、沈璟用南曲檃括北曲占比最多,而这两位作家,也是明代建构南曲理论体系最重要的曲论家。檃括曲为我们理解吴江派词曲一体、崇北宗元观念提供了新的观察视角。王骥德用南曲柔曼之调檃括《草堂诗余》婉约之词,成为明代以词为曲、词曲融通最典型的样本。而檃括北曲的实践,则是沈璟体认、提炼南曲格律规范的重要准备。包括檃括曲在内的俳体文学,主要措意于形式的创新、文字的玩赏,自有其价值。In the Yuan,Ming and Qing dynasties,there were many people who made Yinkuo Qu,and the enthusiasm of the Wujiang School in the Ming Dynasty for the creation and dissemination of Yinkuo Qu is especially noteworthy.Among them,Wang Jide used Nanqu for shaping Ci works,and Shen Jing used Nanqu for shaping Beiqu in the largest proportion.These two writers were also the most important theorists in the Ming Dynasty who constructed the theoretical system of Nanqu.Yinkuo Qu provides a new perspective for us to understand the integration of Ci and Qu and the Chongbei Zongyuan concept of the Wujiang School.Wang Jide used the soft and gentle tunes of Nanqu to summarize the elegant words of Cao Tang Shi Yu,which became the most typical sample of the Ming dynasty’s use of Ci as Qu and the integration of Ci and Qu.The practice of Yinkuo Beiqu was an important preparation for Shen Jing to recognize and refine the metrical norms of Nanqu.Haiku literature,including Yinkuo Qu,is mainly con-cerned with formal innovation,and the playfulness of words has its own value.

关 键 词：檃括曲 吴江派 词曲一体 崇北宗元 

分 类 号：I207.2[文学—中国文学]