明清瓷器上扇子图像的设计特征研究  

Research on Design Features of Fan Images on Porcelain of Ming and Qing Dynasties

作　　者：王禹涵 Wang Yuhan(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2025年第1期69-71,共3页Ceramics

摘　　要：扇子是中国古代工艺品中独特的门类,其形制多样、材质丰富、使用人群广泛。并且在历史的变迁中,扇子的角色悄然发生变化,不仅反映出当时社会的生活状况,还蕴含着多重文化寓意。不同之人所持不同之扇,寓意与内涵也随之不同。因此,作为现实生活中人们广为喜爱的扇子,也被作为装饰表现在瓷器上,从一个三维立体之物转变为二维平面装饰。笔者试以扇子图像产生的渊源——扇文化为始,探究扇子图像的兴起与发展,以扇子与持扇人的联系、不同人持扇的场景构图设计等角度展开对明清瓷器扇子图像的设计艺术特征研究,以便于更深入了解扇文化。Fan is a unique category of Chinese ancient handicrafts,with various shapes,rich materials and wide use.And in the historical changes,the role of the fan quietly changed,not only reflects the use of life at that time,but also contains multiple cultural implications,different people hold different fans,meaning and connotation are also different.Therefore,fans,which are widely loved by people in real life,are also displayed as decoration on porcelain,transforming from a three-dimensional object to a two-dimensional flat decoration.This paper tries to trace the origin of fan culture generated by fan images,and explore the rise and development of fan images.The design art features of fan images on Ming and Qing porcelain are analyzed from the perspectives of the connection between fan and the person holding the fan,the scene composition design of different people holding the fan and the color decoration design,etc.,which is conducive to a deeper understanding of fan culture.

关 键 词：扇文化 扇子图像 明清瓷器 

分 类 号：TQ174.74[化学工程—陶瓷工业]