从“论画与形似,见与儿童邻”的观点看现代陶瓷艺术  

Examining Contemporary Ceramic Art Through Su Shi's View on Painting:Resemblance and the Childlike Perception

作　　者：孙逸伦 Sun Yilun(Jindezhen ceramic University,Jiangxi,Jindezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2025年第1期110-112,共3页Ceramics

摘　　要：苏轼认为艺术应超越形似,其“论画与形似,见与儿童邻”的观点尤其成为文人画理论的重要组成部分追求精神与意境的表达,这一观点在现代艺术中得到广泛认同。这一理论的影响不仅限于当时的传统文人画,还在后世的艺术发展中,产生了尤为深远的影响。甚至在现、当代艺术领域,也有许多的艺术作品都体现出这一古老而又与时俱进的艺术观点。笔者将探讨苏轼的绘画理论与现代艺术意境的关联,从古老的艺术观点出发,来研究现代陶瓷艺术的发展。Su Shi believed that art should go beyond likeness, and his view of " If you can only judge the quality of a painting by its " appearance ", then the appreciation ability and the ignorance of children are not much different " became an important part of literati painting theory, which pursued the expression of spirit and artistic conception, and was widely recognized in modern art. The influence of this theory is not only limited to the traditional literati painting at that time, but also has a particularly far-reaching impact on the development of art in later generations. Even in the field of modern and contemporary art, there are many works of art that reflect this ancient and advancing artistic view. This paper will discuss the relationship between Su Shi's painting theory and modern artistic conception, and study the development of modern ceramic art from the ancient artistic point of view.

关 键 词：现代陶瓷艺术 形似与意境 艺术观念表达 

分 类 号：TQ174.74[化学工程—陶瓷工业]