以表现内涵为核心范畴的音乐史研究刍议--对钱仁康先生理论猜想的呼应和引申  

On the Study of Music History with Performance as the Core Realm--Echoing and Deriving from Qian Renkang's Theoretical Conjectures

作　　者：杨燕迪 Yang Yandi

机构地区：[1]哈尔滨音乐学院 [2]上海音乐学院,上海200031

出　　处：《音乐艺术(上海音乐学院学报)》2024年第5期69-82,共14页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2021年教育部新文科研究与改革实践项目“音乐类一流本科教育创新建设政策与支撑体系实践研究”阶段性成果,项目批准号:2021030003。

摘　　要：从钱仁康先生重视音乐表现内容的学术理念出发,批判性地梳理前人有关“文化史”“风格史”“结构史”等音乐史学方法论,可以尝试性提出“内涵史”的理念思路——以“音乐的表现内容和范畴”为主要观测点考察和研究音乐史的进程和发展,采用“人性的发展”和“人性的发现”的视角观察音乐的“内涵史”进程;贝多芬晚期创作中的“星空意象”就是这种理念思路具有可能性的例证。故应继续开掘和弘扬钱仁康先生等前辈学者的学术遗产,积极构建具有中国特色的“史论兼备”的音乐史研究体系和范式。In his studies,Qian Renkang attached much importance to music content and expression.Starting from Qian Renkang's concept,this paper reviews methodologies of historical musicology,including"the history of culture,"the history of style,"and"the history of form,"and attempts to put forward the idea of"the history of connotation."This idea observes the evolution of music history mainly from the content and scope of music expression,and is examined through the"development"and"discovery"of human nature.The image of"starry sky"in Beethoven's late compositions is an example of it.The academic legacy of Qian Renkang and the old generation of Chinese musicologists is a wellspring that help us to construct the system and paradigm of music history research with Chinese characteristics and thus should be further explored and promoted.

关 键 词：钱仁康 音乐史学 风格史 表现内涵史 情感范畴 表现母题 贝多芬晚期 星空意象 

分 类 号：J609.2[艺术—音乐]