民族乐器与交响乐队的非协奏曲组合:《打家业》与《风越苍茫》  

Non-concerto Combinations for Chinese Folk Musical Instruments and Symphony Orchestra:Da Jia Ye and The Wind Passing Through the Vast World

作　　者：王瑞奇 Wang Ruiqi

机构地区：[1]上海音乐学院作曲指挥系,上海200031

出　　处：《音乐艺术(上海音乐学院学报)》2024年第5期142-155,共14页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2022年上海市“曙光计划”项目支持。

摘　　要：进入21世纪以来,将一件(组)民乐与交响乐队相结合的创作模式形成新趋势,其在发掘与转化中国音乐文化特性方面,展现出独特的结构力和表现力。贾国平和周湘林两位作曲家通过各自的作品,展现出了个性化的音乐语言,并以不同方式回应了民乐与交响乐队之间的复杂关系:“一”与“众”作为整体结构力的辩证发展、“一”与“众”不同角色的对冲与协调、“一”与“众”的动态互动与重构超越,为中、西方音乐语言的融合提供了新的视角和实践路径。Since the beginning of the 2lst century,there has been a trend in music composing to combine Chinese traditional musical instrument(s)with the symphony orchestra,facilitating the exploration and utilization of the uniqueness of Chinese music.Jia Guoping and Zhou Xianglin,in their music compositions,treated the relationship between folk music and the symphony orchestra in ways distinct from one another,which are concluded as three different approaches in this paper.First,the dialectical relationship between"the one"and"the many"as an overall structural force;Second,the contradiction and coordination between different roles of"the one"and"the many;"Third,the dynamic interaction and reconstruction transcendence of"the one"and"the many"These approaches have provided new perspective and practical methods for integrating Chinese and Western musical languages.

关 键 词：《打家业》 《风越苍茫》 非协奏曲 音响空间 音色拓展 

分 类 号：J614[艺术—音乐]