西方乐谱的社会学属性探研  

An Exploration of the Sociological Elements in Western Music Score

作　　者：尚媚 Shang Mei

机构地区：[1]西安音乐学院作曲系,西安710061

出　　处：《音乐艺术(上海音乐学院学报)》2024年第5期156-165,共10页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：在西方音乐中,乐谱文本不仅是演奏(唱)家实现音响转化的依凭,也是连接作曲家与听众、传递精神生活美学的介质,其发展深受社会文化的影响,并随音乐家的参与而日益完善。乐谱作为人类音乐(社会)行为、音乐作品与社会互动的介质,其所承载的特殊文化意涵决定了其作为西方音乐书面传承工具的历史地位及其所具有的社会属性。作为一种实践性的“社会行为”,乐谱实现了音乐从功能性向理性的强制性和规约性的发展。这使音乐理论与实践之间不断产生新的关系;作为符号载体的乐谱则在一种动态关系之中,触发音乐作品从固有的多重社会功能向突出的审美功能转变,展现出强烈且复杂的社会性。In Western music,music score is not only the basis for performers to realize the music,but also a medium that connects the composer and the listener,and transmits aesthetic implication.The development of music score has been deeply influenced by society and culture;the music score has been increasingly improved with the participation of musicians.As a medium for human musical-social behaviour and interaction between musical works and society,the special cultural meanings of music score,made itself a tool for the written transmission in Western music history with corresponding social elements.As a practical"social behaviour,"the music score helped realize the development of music from being functional to being rational and conventional,which created a new relationship between music theory and practice.As a symbol carrier,music score has triggered the transformation of musical works from its inherent social varieties to mainly aesthetic pursuit,showing a strong and complex sociality.

关 键 词：乐谱 书面传承 社会性 社会行动 

分 类 号：J613[艺术—音乐]