李斯特《b小调钢琴奏鸣曲》结构问题辨析  

On the Structural Issues of Liszt's Piano Sonata in B Minor

作　　者：黄玥 陈鸿铎 Huang Yue;Chen Hongduo

机构地区：[1]合肥师范学院音乐学院 [2]安徽大学,合肥230601 [3]上海音乐学院音乐学系,上海200031

出　　处：《音乐艺术(上海音乐学院学报)》2024年第5期180-192,共13页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2024年度安徽省高校科学研究重点项目“埃德加·瓦雷兹的声音观念及其创作实践研究”阶段性成果,项目批准号:2024AH053115;2023年度安徽省质量工程教学研究重点项目“长三角一体化视域下的安徽高师钢琴教学协同发展研究-以沪皖两所高校钢琴教学为例”阶段性成果,项目批准号:2023jyxm0567

摘　　要：关于李斯特《b小调钢琴奏鸣曲》的结构划分,学术界常有分歧。这些分歧既涉及“对赋格段功能的认定”,又涉及“结束部的起点”的位置定位。其实,从整体上看,该曲是一部通过“单章套曲化”而构成的“单章-套曲”,可分为呈现部、展开部、再现部。其中的行板部分具有插部功能,赋格段作为展开部的一部分,类似于谐谑曲乐章,尾声以引子材料作为开头和结尾。就局部而言,其副部以浮士德主题为界分为两部分,插部形成以副题为中心的“三部性”结构,爱情主题标志着结束部的开始。李斯特积极探索“单章套曲化”及其“单章-套曲”结构,引得后世作曲家仿效,对西方音乐结构的创新发展产生了深远的影响。Academic opinions have always been divided on the structure of Liszt's Piano Sonata in B Minor.Disagreements include how the fugue functions,and where the closing zone begins.The sonata on the whole is a"single-movement cycle"composed upon cyclic thinking within one movement,and is structured with an exposition,a development,and a recapitulation.The andante part functions as an episode.The fugue,serving as a scherzo movement,is also a part of the development.The coda begins and ends with the introduction material.In terms of the sub-structure,the second tonal area is divided into two parts that feature the"Faustian theme and a ternary episode based on the second theme,and the"love theme"respectively,the latter marking the closing zone.The exploration of Liszt in the form and method of"single-movement cycle"has greatly inspired later composers,and has influenced the evolution of Western music form profoundly.

关 键 词：李斯特 《B小调钢琴奏鸣曲》 “单章套曲化” “单章-套曲” 

分 类 号：J614[艺术—音乐]