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作 者:巴桑罗布[1] Pasang Norbu
机构地区:[1]西藏大学国家开放大学西藏分部
出 处:《西藏艺术研究》2024年第4期10-15,共6页Tibetan Art Studies
摘 要:玉岗圆柱状石雕塔以狮子像为基座,周身雕满小佛塔。圆形塔瓶下半部一圈以“一佛一塔”的组合形式,连续排列着五尊佛像和五座小塔,其形制到造型工艺极具特色。本文通过文物考古学的分析研究,认为玉岗石塔的制作、技法以及基座石狮和整体形态受波罗王朝后期祈愿塔的影响为主,年代可能处在公元11至12世纪,即西藏佛教后弘期早期阶段。同时,以周身雕饰塔群为切入点,梳理了108塔的文化渊源及传播路线,为西藏及周边包括河西走廊在内地区的文化交流提供新的实物资料。The Yugang cylindrical stone sculpture tower is based on a lion statue and is intricately carved with numerous small stupas.The lower half of the circular tower features a continuous arrangement of five Buddha statues and five small stupas in a"one Buddha,one stupa"combination,showcasing a distinctive form and craftsmanship.This article,through the analysis of archaeological artifacts,posits that the production techniques and styles of the Yugang stone tower,along with the lion statue base and overall shape,were primarily influenced by the later prayer stupas of the Pala Empire,dating to the 1lth to 12th centuries,which corresponds to the early stage of the later propagation of Tibetan Buddhism.Additionally,using the surrounding decorative tower group as a starting point,the article explores the cultural origins and dissemination routes of the 108 stupas,providing new material evidence for cultural exchanges in Xizang and surrounding regions,including the Hexi Corridor.
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