探析巴托克第四弦乐四重奏中对称结构的应用  

An Analysis of Symmetrical Structure in Bela Bart 6 k's Fourth String Quartet

作　　者：米久单增 Migur Tenzin

机构地区：[1]西藏大学艺术学院

出　　处：《西藏艺术研究》2024年第4期32-37,共6页Tibetan Art Studies

摘　　要：巴托克的《第四弦乐四重奏》作为其创作生涯的高峰之一,作品结构完整、技巧丰富,成为现代作曲技法与民族民间音乐结合的典范。本文聚焦于对称性这一艺术美学原则,深入分析了该作品的旋律、节奏、节拍及和声等方面的对称结构。通过分析进一步揭示了巴托克音乐作品的独特创作手法和鲜明风格特征。同时,也探讨了这种对称布局对音乐美学思想的深刻影响。Béla Bart 6 k's Fourth String Quartet stands as one of the peaks of his creative career,characterized by its complete structure and rich techniques.It has become a model of the integration of modern compositional methods with folk and ethnic music.This article focuses on the artistic aesthetic principle of symmetry,conducting an in-depth analysis of the symmetrical structures in various aspects of the work,including melody,rhythm,beats,and harmony.Through this analysis,it reveals Bart 6 k's unique compositional techniques and distinctive stylistic features.Additionally,it explores the profound impact of this symmetrical layout on musical aesthetic thought.

关 键 词：对称结构 巴托克 弦乐四重奏 结构分析 

分 类 号：J657[艺术—音乐]