档案数字叙事理论框架构建与实践案例研究——以北海银行档案为例  

Theoretical Framework Construction and Practice Case Study of Digital Narrative of Archives:Taking the Archives of Beihai Bank as an Example

作　　者：闫静[1] 李雪婷[1] YAN Jing;LI Xueting(School of History,Shandong University,Ji'nan 250100,China)

机构地区：[1]山东大学历史学院,济南250100

出　　处：《档案学通讯》2025年第1期29-37,共9页Archives Science Bulletin

基　　金：山东省社科规划研究专项“数字叙事理论视域下山东红色档案中的红色基因挖掘与传承研究”(22CDSJ14)。

摘　　要：作为一个新兴概念,“档案数字叙事”源于档案叙事与数字叙事的理论耦合,近年逐渐成为档案开发利用的理论支点。基于概念分解法对“档案数字叙事”进行概念拆分,明确其所涉及的关键要素定义;从数字叙事与档案叙事在叙事场、叙事逻辑、叙事类型和叙事服务四个维度上的耦合关系出发,明确“档案数字叙事”的生成机理;在借鉴经典叙事学和后经典叙事学理论的基础上,将数字叙事理论的核心构念“文本架构”“互动模式”,以及“情感沉浸”目标引入档案叙事研究,形成具有“四个维度、两条主线、一个中心”的档案数字叙事基本理论框架;并以北海银行档案的叙事性开发为例,对构建的理论框架进行实践性检验。As a new concept,"digital narrative of archives" originates from the theoretical coupling ofarchival narrative and digital narrative, and has gradually become the theoretical fulcrum of archivalutilization in recent years. Based on the conceptual decomposition method, the paper divides the concept of"digital narrative of archives" and defines the key elements involved. Starting from the couplingrelationship between digital narration and archival narration in four dimensions of narrative field, narrativelogic, narrative type and narrative service, the paper clarifies the generation mechanism of "digital narrativeof archives". Based on classical narratology and post-classical narratology theories, the paper introduces thecore constructs of digital narrative theory, "text structure", "interactive mode" and "emotionalimmersion",into the archival narrative research, and forms the basic theoretical framework of archivaldigital narrative with "four dimensions, two main lines and one center". Taking the narrative developmentof Beihai Bank archives as an example, the theoretical framework is tested.

关 键 词：档案数字叙事 数字叙事 档案叙事 概念分解法 

分 类 号：G273.5[文化科学—档案学]