走马楼三国吴简的书写生态及其书史意义  

The Writing Situation and the Historical Significance of Zoumalou Wujian of the Three Kingdoms

作　　者：吕文明[1] Lv Wenming

机构地区：[1]山东师范大学齐鲁文化研究院,济南250014

出　　处：《中国高校社会科学》2025年第1期62-72,M0004,共12页Social Sciences in Chinese Higher Education Institutions

基　　金：教育部人文社科重点研究基地重大项目“齐鲁文化传承发展与汉魏六朝政治文化格局研究”(22JJD770052);泰山学者工程专项经费资助课题(tstp20240508)阶段性成果。

摘　　要：走马楼吴简的书写者多是下层书吏,因为书写内容的特殊性,形成了以新隶体和早期楷书为主的书写形态。走马楼吴简代表了一个书写时代的结束,随着简牍官府文书簿籍逐渐被纸张书写取代,日常生活中对于纸张的使用成为一种趋势。走马楼吴简主要字体是处于过渡状态的新隶体,一般先从民间兴起,文人士大夫受到影响后,开始在日常书写中使用并对其加以改造。经过改造的新字体得到上层社会认可之后,因为其使用的快捷、方便,迅速风行全国,继而对民间书写产生影响。走马楼吴简的书迹与传世书法作品相对照,可彰显三国时期文字发展演变的重要意义。The writers of Wujian(bamboo and wooden slips of Three Kingdoms)were primarily lowerclass clerks.Due to the unique content,a writing environment emerged combining the new official script and early regular script.Zoumalou Wujian marks the end of an era,with bamboo slips giving way to paper and the widespread adoption of the new official script,which was initially popular among common people before being embraced by literati.Recognized by the elite,it spread nationwide due to its speed and convenience.The calligraphy on Wujian and its legacy highlight the significance of character development during the Three Kingdoms.

关 键 词：新隶体 楷化 谷朗碑 黄朝名刺 

分 类 号：I292.23[文学—中国文学]