“革命新词汇”的文艺经验——以“翻身”为例  

The Literary Experience of New Vocabulary In Revolution:Taking FanShen(翻身)as an Example

作　　者：周维东[1] Zhou Weidong

机构地区：[1]四川大学文学与新闻学院,成都610207

出　　处：《中国高校社会科学》2025年第1期134-147,M0006,共15页Social Sciences in Chinese Higher Education Institutions

摘　　要：“革命新词汇”是中国革命自我表意系统的基本单元,通过对其内涵和历史的考察,可以深化对中国革命具体性和丰富性的认知。对“革命新词汇”历史内涵的考察,离不开文艺经验。在宏观上,“革命新词汇”只有在文艺中才具有了公共性,也即可以对其进行历史化考察的基础;在微观上,当文艺参与了“革命新词汇”的语言实践,它的内部空间和外部空间均要受到影响。以“翻身”为例,它在革命文艺中的书写经过了三个阶段:1943-1944年间侧重于观念建构;1946-1947年间侧重于革命行动实践;1949-1953年间侧重于历史记忆建构。在此过程中,“翻身”的内涵日渐丰富,也形成了革命文艺的具体问题和普遍经验。对于“翻身”文艺经验的梳理,又必须区分其包含的现代经验和革命经验,由此才能对其作为“革命新词汇”的历史特征有更加准确的把握。New vocabulary in revolution represents a fundamental element of the Chinese revolution's self-expression system.By examining its connotations and historical context,we can gain a deeper understanding of the concreteness and richness of the revolution.Using the literary and artistic experience of Fan-Shen as an example,its depiction in revolutionary literature and art has evolved through three stages,highlighting specific issues and universal experiences in revolutionary expression.In analyzing the literary and artistic experience of FanShen,it is important to distinguish between the modern and revolutionary experiences it encapsulates.

关 键 词：革命新词汇 翻身 文艺经验 

分 类 号：I206[文学—中国文学]