文化传承视角下古谱诗词现代表演研究——以“江淮潮起和清歌”古谱诗词音乐会为例  

Modern Performance of Ancient Poetry and Prose with Tablatures from Perspective of Cultural Inheritance:a Case Study of Jianghuai Tide and Qingge Concert

作　　者：谢潘婕 张祖顺 XIE Panjie;ZHANG Zushun(Anhui University of Arts,Hefei,Anhui 230000,China)

机构地区：[1]安徽艺术学院,安徽合肥230000

出　　处：《龙岩学院学报》2025年第1期43-49,共7页Journal of Longyan University

基　　金：安徽省教育厅高校优秀拔尖人才培育项目(高校优秀青年人才支持计划重点项目)(gxyqZD2022087);安徽省教育厅2023年度高校古籍整理研究项目(2023AHGJ04);2023年“江淮文化名家”引育工程人才和团队项目。

摘　　要：中华古谱诗词以深厚的艺术价值和文学价值傲立于中国声乐作品之林,在新时代大力弘扬中华优秀传统文化背景下迎来海内外演绎复兴。现阶段古谱诗词存在场域环境制约性、历史理解局限性等传播问题,以“江淮潮起和清歌”古谱诗词音乐会为分析对象,以表演理论为支撑,力图突破场域限制,增强文学互动,凝练古谱诗词表演者创新演绎模式,使古谱诗词在新时代能有效传播,为古谱诗词的传承和发展注入活力。Chinese ancient music and poetry stand proudly among Chinese vocal works with profound artistic and literary value.In the context of vigorously promoting excellent traditional Chinese culture in the new era,they have ushered in a revival of interpretation at home and abroad.At present,there are dissemination issues such as limitations in the field environment and historical understanding of ancient poetry.Taking the Jianghuai Tide and Qingge concert as the analysis object,supported by performance theory,we strive to break through the limitations of the field,enhance literary interaction,condense innovative performance modes of ancient poetry performers,and enable effective dissemination of ancient poetry in the context of the new era,injecting vitality into the inheritance and development of ancient poetry.

关 键 词：古谱诗词 表演模式 传承发展 

分 类 号：J607[艺术—音乐]