宋画《中兴瑞应图》序赞讳改现象发覆  

The phenomenon of changing the title of praise and taboo in the preface of the Song painting Zhongxing Ruiying Tu has reappeared

作　　者：安天鹏 An Tianpeng

机构地区：[1]复旦大学古籍整理研究所,上海200433

出　　处：《南京艺术学院学报(美术与设计)》2025年第1期1-8,209,共9页Journal of Nanjing University of The Arts:Fine Arts & Design

摘　　要：上海龙美术馆藏宋画《中兴瑞应图》序赞,与曹勋文集所录文字面貌不同。参合传世集本与公私藏卷本临本,可见其题序已经剜补,赞文亦遭讳改,影响关于此画作意与画意的讨论。寻迹其讳改逻辑与策略,可复原序赞南宋旧貌,并揭示清人改宋画,讳“胡”“虏”“夷”“夏”之现象。借此个案反思宋画流传中的文化政治议题。The preface of Auspicious Imagery of the Gaozong Revival(Zhongxing Ruiying Tu)in the collection of Shanghai Long Art Museum is different from the text recorded in Cao Xun’s collection.Examining the surviving collection edition and the public and private collection scroll edition,it can be seen that the preface has been edited and the praise text has also been altered,which has affected the discussion on the composition and meaning of this painting.By tracing the logic and strategy of taboo changes,we can restore the original appearance of the preface and praise in the Southern Song dynasty,and reveal that when Qing people changing Song paintings,characters such as“Hu”“Lu”“Yi”“Xia”were their taboos.This article takes this case study to reflect on the cultural and political issues in the dissemination of Song painting.

关 键 词：中兴瑞应图 清改宋画 宋画流传 夷夏话语 讳改剜补 

分 类 号：J209[艺术—美术]