图文互释下唐代“山水之变”的厘析与辨正——兼论吴道子在山水画史中的隐匿  

Analysis on“Shanshui Change”in the Tang Dynasty--On the concealing of Wu Daozi in the history of shanshui painting

作　　者：肖雪 Xiao Xue

机构地区：[1]四川师范大学艺术研究院,四川成都610068

出　　处：《南京艺术学院学报(美术与设计)》2025年第1期21-27,209,共8页Journal of Nanjing University of The Arts:Fine Arts & Design

摘　　要：“山水之变,始于吴,成于二李”出自唐代张彦远的《历代名画记》。在厘清唐代画史中“山水”与“山水画”真实意涵的基础上,可进一步认识吴道子写貌蜀道嘉陵江水对唐代“山水之变”起到的重要作用,使得这一时期的山水图式从以山为主的刻画转向山水共分的描绘,又经由李昭道进一步发展出“海图”之妙,此乃对唐代“山水之变”的“始”与“成”的合理推测。In Records of Famous Paintings Throughout the Dynasties by Zhang Yanyuan in the Tang dynasty,it is written:The transformation of mountains and waters began by Wu Daozi and was completed by the Two Li(Li Sixun and Li Zhaodao).On the basis of clarifying the true meaning of“shanshui”and“shanshui painting”in the painting history of the Tang dynasty,we can further understand the importance of Wu Daozi depicting the Jialing River on the“shanshui transformation”in Tang,which led to the shift of landscape patterns from mainly depicting mountains to depicting both mountains and waters.Through Li Zhaodao’s further development of the“sea picture,”this is a reasonable speculation on the“beginning”and“completion”of the“shanshui transformation”in Tang.

关 键 词：图文互释 山水之变 山水 松石 

分 类 号：J209[艺术—美术]