与半身像沉思——伦勃朗的《亚里士多德与荷马半身像》  

Thinking with Busts——Rembrandt’s Aristotle with the Bust of Homer

作　　者： 李响(译) Jeanette Kohl

机构地区：[1]美国加利福尼亚大学河滨分校 [2]美国加利福尼亚大学人文中心 [3]北京大学艺术学院

出　　处：《美术观察》2025年第1期32-41,共10页Art Observation

摘　　要：在本次讲座中,演讲者珍妮特·科尔通过分析伦勃朗的名画《亚里士多德与荷马半身像》,深入探讨雕塑作为一种关键记忆媒介的艺术和现象学意义。在细致的分析过程中,科尔教授展示了伦勃朗如何将艺术中常见的竞争(艺术形式间、艺术家间以及与古代遗产的竞争)和传统艺术理论中的二元对立(触觉与视觉、物质性与理智性、存在与记忆)转化为一种极其复杂的触觉绘画哲学。此次讲座的内容基于科尔教授新书《半身像的生命力》的最终章节,总结了书中关于半身像在文艺复兴时期人物自我塑造中扮演的至关重要角色的观点。This lecture discussed the artistic and‘phenomenological’significance of sculpture as a key medium of remembrance through the lens of a famous painting:Rembrandt’s Aristotle with the Bust of Homer.In a detailed analysis,the Professor Jeanette Kohl showed how Rembrandt transforms both conventions of competition(between the art forms,among artists,and with antiquity)and traditional arttheoretical dichotomies(touch vs.sight,materiality vs.intellectuality,presence vs.remembrance)into a remarkably complex painted philosophy of touch.The lecture is based on the final chapter of the professor’s new book:The Life of Busts,summing up some of its ideas on the paramount role of bust portraits for the self-fashioning of Renaissance sitters.

关 键 词：伦勃朗 绘画 雕塑 半身像 触觉 

分 类 号：J20[艺术—美术]