“水木有清辉”:沈周《东庄图》的馈赠与接受研究  

“The Woods and Waters Emit a Pure Radiance”:A Study on Giving and Receiving of Shen Zhou’s Picture of Dong Zhuang

作　　者：姚远 Yao Yuan

机构地区：[1]南京林业大学人文社会科学学院

出　　处：《美术观察》2025年第1期50-59,共10页Art Observation

基　　金：国家社科基金艺术学重大项目“中国传统美术的当代复兴研究”阶段性成果,项目编号:21ZD23。

摘　　要：《东庄图》是沈周以吴宽家乡故园为主题创作的“赠礼画”,其画题与图式选择巧妙地兼顾了个人情感与广泛共鸣,既加深了沈周与吴宽之间的友谊,又为沈周在京城赢得了声誉,推动了江南文人绘画趣味的传播。其图像表现并非对园林实景的直接搬摹,而是通过丰收盛景的隐喻传达对现实的关切,期许观者能以同情和关注来回应现实问题。本文致力于构建一个涵盖“赠礼画”从馈赠、接受到回馈的动态模型,深入探究礼物馈赠行为的动机、逻辑及馈受双方的互惠关系,以期揭示其蕴含的文人审美倾向与文化旨趣。Shen Zhou’s Picture of Dong Zhuang is a“gift painting”,featuring the hometown garden of Wu Kuan as its theme.The choice of subject and imagery skillfully balances personal sentiment with widespread resonance,not only deepening the friendship between Shen Zhou and Wu Kuan but also earning Shen Zhou renown in the capital and promoting the dissemination of literati painting tastes from the Jiangnan region.The imagery in the painting is not a direct replication of the actual garden scenery;instead,it subtly conveys concern for reality through metaphors of bountiful harvests,encouraging viewers to respond to current issues with sympathy and attention.This paper aims to construct a dynamic model encompassing the entire process of“gift paintings”from gifting,receiving,to reciprocal feedback.It delves into the motivations,logic,and reciprocal relationships between the giver and receiver in the act of painting-giving,seeking to uncover the underlying literati aesthetic preferences and cultural pursuits embedded within.

关 键 词：《东庄图》 沈周 吴门画派 赠礼画 

分 类 号：G63[文化科学—教育学]