试论工笔花鸟画的意境美学构建  

On the Aesthetic Construction of Artistic Conception in Meticulous Flower-and-Bird Painting

作　　者：刘英[1] Liu Ying

机构地区：[1]西安美术学院中国画学院

出　　处：《美术观察》2025年第1期105-107,共3页Art Observation

摘　　要：工笔花鸟画肇始于唐,成熟于五代、两宋,至元、明、清各朝,形成了多种多样的艺术风貌,彰显了工笔花鸟画在审美取向方面的多元化。而这多种风格在形成的过程中也涵盖了历代画家对于意境的追求。反观当下的工笔花鸟画创作,制作之风的盛行,在某种程度上导致工笔画作品工致有余,意趣不足。重新认识工笔花鸟画的意境美学意涵,可以为当下的工笔花鸟画创作提供参考资源,并提高和丰富作品的审美内涵。Meticulous flower-and-bird painting originated in the Tang Dynasty,matured during the Five Dynasties and the Song Dynasty,and developed into various artistic styles throughout the Yuan,Ming,and Qing dynasties.The formation of these various styles also encompasses the pursuit of artistic conception by painters of various dynasties.In contrast to the current creation of meticulous flower-and-bird paintings,the prevalence of a production-oriented approach has led to works that are overly refined in craftsmanship but lacking in artistic charm to some extent.Therefore,it is necessary for us to re-recognize the aesthetic implications of artistic conception and use it as a guide for contemporary meticulous flower-and-bird painting creation,in order to enhance and enrich the aesthetic connotations of the works.

关 键 词：工笔花鸟画 意境 美学构建 

分 类 号：J212[艺术—美术]