相即:反思当今电影哲学  

Interbeing:Rethinking Contemporary Film Theory

作　　者：范可乐 Victor Fan

机构地区：[1]伦敦国王学院

出　　处：《电影艺术》2025年第1期3-10,共8页Film Art

摘　　要：欧美的电影哲学在近年围绕着两个相关问题进行研究。一、作为一种技术装配,电影跟意识的形成和运作过程有何关联?二、电影哲学如何打破二元逻辑思维的限制?这两个问题均可用中国华严宗中“相即”的概念来重新思考。这个概念不仅能够打破学术界一向惯用的“我性”和“他性”的框架来分析电影与意识的形成过程,还能以相互流动为基础去了解有情众生跟机械装配环境之间的关系,从而为所谓电影本体危机带来了一个富有希望、和谐与建设性的见解。Recent Euro-American film philosophy has centered on two key questions:First,what is the relationship between cinema as a technical assemblage and the formation of(image-)consciousness?Second,how can film philosophy transcend binary thinking?These questions can be reexamined through the concept of interbeing,an idea first proposed by philosophers of the Huayan school of Chinese Mahayana Buddhism.This concept deconstructs the subject-object dichotomy prevalent in Euro-American film philosophy's investigation of cinematographic consciousness formation.It also offers an alternative understanding of the relationship between sentient beings and technical assemblages based on dependent co-arising.Interbeing thus introduces more hopeful,harmonious,and constructive approaches to addressing what Euro-American scholars view as an ontological crisis precipitated by digital technologies.

关 键 词：电影哲学 技术装配 佛学相即 电影本体危机 人类众生与机械生态 

分 类 号：J90-02[艺术—电影电视艺术]