阴谋媒介:詹姆逊的马克思主义电影媒介观  

Cinema as Conspiracy Media:Fredric Jameson's Marxist Theory of Cinematic Media

作　　者：李洋[1] Li Yang

机构地区：[1]北京大学艺术学院

出　　处：《电影艺术》2025年第1期20-25,共6页Film Art

基　　金：国家社科基金艺术学项目“西方影像哲学研究”(批准号:21BA025)阶段性成果。

摘　　要：詹姆逊在其马克思主义电影理论中,将电影视为理解晚期资本主义的重要媒介。他认为电影是展现全球化体系复杂性和权力结构隐秘运作的象征性手段,通过阴谋叙事揭示资本主义总体性的不可见性,并以“寓言”和“认知图绘”帮助观众理解无形的世界体系。阴谋作为一种叙事策略,不仅挑战传统现实主义,也体现了晚期资本主义的信息过载与不确定性。通过对电影的分析,詹姆逊试图阐释媒介如何塑造人们对现实的感知,并揭露资本主义体系的内在逻辑与矛盾。Fredric Jameson,in his Marxist film theory,views cinema as a critical medium for understanding late capitalism.He argues that films serve not only as narrative tools but also as symbolic devices for revealing the complexities of globalization and the hidden operations of power structures.Through conspiracy narratives,films expose the invisibility of capitalist totality,employing allegory and"cognitive mapping"to help audiences grasp the intangible world system.Jameson underscores the mediality of cinema,examining how it uses spatialized narratives,the interplay of visuals and sound,and other formal innovations to illuminate social contradictions and ideological issues.Conspiracy,as a narrative strategy,challenges traditional realism while reflecting the information overload and uncertainty characteristic of late capitalism.Through his analysis,Jameson seeks to demonstrate how media shape perceptions of reality and uncover the internal logic and contradictions of the capitalist system.

关 键 词：弗雷德里克·詹姆逊 阴谋媒介 透明性 认知图绘 

分 类 号：J90[艺术—电影电视艺术]