视听新媒体场域与电影文体的革命性重建  

The Revolutionary Reconstruction of Audiovisual New Media Field and Film Style

作　　者：周安华 Zhou Anhua

机构地区：[1]山东大学 [2]山东大学中国影视文体研究中心

出　　处：《电影艺术》2025年第1期51-55,共5页Film Art

基　　金：国家社科基金重大招标项目“中国现代电影文学资料发掘、整理与资源库建设”(批准号:18ZDA262)的阶段性成果之一。

摘　　要：AI给电影行业带来巨大冲击,网络电影等视听新媒体艺术来势汹汹,科技化“影视产品”裹挟而来的影像政治权力再分配使传统大银幕电影似“风光不再”。对此,清晰梳理电影文体及文体意识,寻求其现代性再造已刻不容缓。作为一个超越性、复合性的“视像文类”概念,电影文体的精神意蕴、艺术模态和镜头语言值得关注。重建电影文体将使我们突破现象之维,直抵人类电影精神的腹地,以更自为的创作境界,不断讲述“有思想的中国好故事”。Al has a significant impact on the film industry,and audiovisual new media arts,such as online movies,pose a challenge.Under the influence of scientific and technological advancements in"film and television products",the political power of images has shifted,making traditional big-screen films seem"no longer in the limelight".It is urgent to clarify the stylistic and aesthetic consciousness of films and seek to rebuild their modernity.As a transcendent and complex concept of"video genre",its spiritual implications,artistic modes,and visual language deserve attention.The reconstruction of film style enable us to fundamentally transcend superficial phenomena and delve into the essence of the human film spirit,seeking a foundational perspective for contemporary film.This approach allows for a more self-centered creative realm,enabling us to continually tell the"good stories of China withdepth".

关 键 词：视听新媒体 电影文体 革命性 重建 

分 类 号：TP18[自动化与计算机技术—控制理论与控制工程] J905[自动化与计算机技术—控制科学与工程]