论电影文体兼议当前的电影创作与批评  

On Film Style in Contemporary Film Creation and Criticism

作　　者：尹鸿 Yin Hong

机构地区：[1]澳门科技大学,中国澳门 [2]清华大学

出　　处：《电影艺术》2025年第1期56-63,共8页Film Art

摘　　要：“文体”源于文章学、文学、修辞学。正如“电影语言”一词来自语言学一样,“电影文体”也是借用词。文体统一性主要体现在视听、表演和叙事三个层面。创作者的选择、过滤、整理、加工和想象,使影像世界成为有序、有形式感、有审美的“文体呈现”,从而区别或者说超越生活。电影文体分析,可以让创作者更自觉地形成审美表达的文体意识;也可以让批评者更准确地理解电影文体的差异特征。文体成为学,对于电影理论和电影创作都有重要意义。The concept of"literary form"originates from studies in rhetoric,literature,and textual analysis.Similar to how"film language"derives from linguistics,"film style"is also an adapted theoretical construct.The unity of film literary form manifests primarily in three aspects:audio-visual elements,performance,and narration.Through selection,fitration,arrangement,processing,and imagination,creators transform the filmic world into a"literary form presentation"that is structured,formalized,and aesthetically coherent,thereby distinguishing it from-and often transcending-everyday lfe.Analysis of film style enables creators to develop more conscious awareness of aesthetic expression while allowing critics to more precisely comprehend the distinctive characteristics of filmic formal elements.The establishment of film style as a disciplinary framework holds significant implications for both film theory and creativepractice.

关 键 词：文体学 电影文体 电影体裁 电影类型 

分 类 号：J905[艺术—电影电视艺术]