生活化表达:互动电影的自然交互思维  

Life-Centered Expression:The Natural Interaction Thinking of Interactive Film

作　　者：王颖倩 邱章红[2] Wang Yingqian;Qiu Zhanghong

机构地区：[1]北京印刷学院新闻传播学院 [2]北京大学艺术学院

出　　处：《电影艺术》2025年第1期82-86,共5页Film Art

基　　金：国家社科基金艺术学项目“基于互联网+互动剧新的叙事模式研究”(批准号:20BC045)阶段性研究成果。

摘　　要：电影的本质在于表达,互动电影将传统的作者表达扩展到观众,其表达方式与“以生活为中心”的自然交互理念相契合,构建了一系列新的交互原则。在场景+角色+故事情境的观念性框架下,观众以某个角色身份与剧中人面对面沟通,融入他们的生活。在人、机、物三元融合的交互情境中与剧中人物“共享”和“协商”叙事进程。电影独特的表意形式让互动电影更加依赖自然语言,“暗示”成为信息传递的主要管道,并在交互情境中被定义。The essence of film lies in its capacity for expression,and interactive film broadens the traditional model of authorial expression by actively involving the audience.This form of expression aligns with the"life-centered"principles of natural interaction,establishing a new set of interactive guidelines.Within the conceptual framework of scene,character,and narrative situation,audiences engage in face-to-face communication with characters by assuming specific roles,immersing themselves in their lives.In the triadic interaction among humans,machines,and objects,audiences"share"and"negotiate"the narrative's progression with the characters.The unique semiotic nature of film makes interactive film paricularly reliant on natural language,with"hints" serving as the primary conduit for information transfer,defined within the context of interaction.

关 键 词：互动电影 自然交互 自然语言 暗示 

分 类 号：J905[艺术—电影电视艺术]