重返“魔术周相”:科幻电影中的神话“幽灵”  

A Return to the“Magical Phase”:The“Specter”of Myth in Science Fiction Movies

作　　者：孙晶茹 Sun Jingru

机构地区：[1]北京大学中文系

出　　处：《电影艺术》2025年第1期87-92,共6页Film Art

摘　　要：自科幻作为一种类型诞生以来,神话就与其有着千丝万缕的联系。德里达用“幽灵”一词来谈论本体论之外的思考,而神话在科幻电影中就处于这样的“幽灵”状态。科幻电影中的神话“幽灵”是我们体验科幻崇高的重要途径。不同于技术崇高的理性崇拜,它召唤我们超越主体见证“非人”。而在这种非确定性背后,神话的“幽灵”最终向我们揭示的是艺术重建一体性的冲动,提示我们重返魔术周相去寻找超越人类世的新的可能性。Since the inception of science fiction as a genre,myth has been inextricably linked to its narratives.Derrida's concept of the"specter"invites us to think beyond ontology,positioning myth in a"specter"state within science fiction films.This"specter"of myth serves as a crucial avenue for experiencing the sublime in science fiction.Unlike the rational admiration of the technological sublime,it encourages us to transcend the subject and engage with the"inhuman",Beneath this non-determinism,the"specter"of myth ultimately reveals art's impulse to reconstruct unity,urging us to return to the magical phase in search of new possibilities beyond the Anthropocene.

关 键 词：科幻电影 神话 幽灵 非人 崇高 一体性 

分 类 号：J905[艺术—电影电视艺术]