《好东西》:女作者电影的话语建构与乌托邦想象  

Herstory:The Discourse Construction and Utopian Imagination of Female Authorship Films

作　　者：陈亦水[1] Chen Yishui

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2025年第1期93-98,F0004,共7页Film Art

基　　金：中央高校基本科研业务费专项资金资助“智能媒体时代中国文化对外传播叙事策略与效果研究”(批准号:1233300009)阶段性研究成果。

摘　　要：邵艺辉导演新作《好东西》是一部从女性经验出发、努力提出问题又充满矛盾性、带有明显作者风格的“女作者电影”。影片既对主流文化的男性凝视进行调侃,又将男性气质置于被凝视的对象位置,为主流叙事电影创作带来了视听语法的变革,改造了电影观众的审美认知,对中国乃至世界电影创作界来说是值得关注的文化现象。尽管电影仍存在一定的不完善,但这并不重要。毕竟,女作者电影对女性处境的关注不仅属于某一性别,而是关乎人的价值的根本实现。Directed by Yihui Shao,Herstory is a film based on Chinese female experience,characterized by its effort to present problems,its inherent contradictions,and its distinct auteur style.The film both mocks the male gaze prevalent in mainstream culture and positions masculinity as an object of scrutiny.This results in a transformation of the audiovisual grammar in mainstream narrative film,reshaping the aesthetic perception of film audiences and presenting a noteworthy cultural phenomenon within the realms of Chinese and global film.Although the flim has its imperfections,this is not of primary concern.Ultimately,female authorship films'focus on women's circumstances transcends gender,addressing the fundamental realization of human value.

关 键 词：邵艺辉 女作者电影 情动理论 女性主义电影 乌托邦想象 

分 类 号：J90[艺术—电影电视艺术]