忘记自己,忘记观众,执着创作--岩井俊二访谈  

Forgetting Myself,Forgetting the Audience,and Being Dedicated to Creation:An Interview with Shunji Iwai

作　　者：岩井俊二 支菲娜 谭婧仪 Zhi Feina

机构地区：[1]不详 [2]中国艺术研究院 [3]北京第二外国语学院

出　　处：《电影艺术》2025年第1期114-121,共8页Film Art

摘　　要：岩井俊二是日本当代重要的电影导演,其代表作《情书》《花与爱丽丝》等在中国观众中有深远的影响力,也对众多中国导演的艺术风格、创作倾向等产生了明确影响。此次访谈是岩井俊二首次在国内接受的学术访谈,通过回溯岩井俊二近30年的导演经历,结合他的剧情片、动画片、纪录片,梳理他在导演美学风格、技术与艺术创新、选角经验、电影市场等方面的独特探索与看法,尤其注重他自出道以来对中国的留意及作品中对中国的描写。Japanese film director Shunji Iwai has been well-known to Chinese audiences since the mid-199os.His debut and most iconic work,Love Letter,has had a profound influence on Chinese viewers and has significantly impacted many Chinese directors.This article examines Shunji Iwai's nearly 30-year directorial career,highlighting his unique achievements in aesthetic style,technical innovation,artistic creativity,and casting choices.It also explores his perspectives on the film market and his relationship with China.

关 键 词：岩井俊二 女性题材 转绘 日本电影 

分 类 号：J911[艺术—电影电视艺术]