便携式放映机与中国早期非影院装置的本土实践  

Portable Projectors and Local Practices of Early Non-Theatrical Film Dispositif in China

作　　者：钟瀚声 Zhong Hansheng

机构地区：[1]华中师范大学新闻传播学院

出　　处：《电影艺术》2025年第1期144-152,共9页Film Art

基　　金：国家资助博士后研究人员计划“东亚殖民视野下的中国沦陷区电影研究”(批准号:GZC20230928);湖北省博士后创新人才培养项目(批准号:2024HBBHCXB045);中央高校基本科研业务费项目(批准号:CCNU24XJ048)阶段性成果。

摘　　要：20世纪初发明的便携式放映机,不仅成为中产以上阶层热切追捧的新兴娱乐/教育/科学工具,更从媒介更迭的角度折射出早期电影装置的多元形态。通过探析便携式放映设备在中国的历史,启发学界从“民族实业”与“寓教于乐”的角度考察20世纪二三十年代中国非影院电影的产业与文化价值,探究中国知识分子如何通过非影院装置探索私人情感体验,同时试图寄寓成人意志,让儿童以游戏形式接受科学知识,并参与构建其对于国族救亡的启蒙认知。The invention of portable projectors in the early 2oth century not only provided a new entertainment,educational,and scientific tool for the middle class and above,but reflected the diverse forms of early film dispositif in the context of media change.By analyzing the history of portable projection equipment in China,this study encourages scholars to explore the industrial and cultural value of non-theatrical films during the 1920s and 1930s from the perspectives of"national industry"and"edutainment".It further investigates how Chinese intellectuals engaged in artistic creation and personal emotional experiences through non-theatrical dispositifs,examining how these optical devices conveyed adult aspirations while enabling children to play and acquire scientific knowledge,ultimately contributing to the process of enlightenment for national salvation.

关 键 词：非影院电影 活动影戏机 玩具放映机 儿童教育 参与式吸引力 

分 类 号：TB857.1[一般工业技术—摄影技术] J909.2[艺术—电影电视艺术]