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作 者:刘净娟 Liu Jingjuan
机构地区:[1]上海政法学院语言文化学院
出 处:《俄罗斯文艺》2025年第1期45-58,共14页Russian Literature & Arts
基 金:国家社科基金一般项目《当代俄罗斯小说中的中国神话叙事研究(1991-2022)》(23BWW062)的阶段性成果。
摘 要:阿斯塔菲耶夫的艺术自白具有独特的创作逻辑与固有的艺术特征。一方面,作家继承了忏悔审美意识对人与世界关系的自我体悟、对人类存在的终极思考、对揭露自我与重塑自我的宗教道德旨归;另一方面,又融入了极具现代性的民族自我修正意识。艺术自白作为表现作者立场的叙事手段,借助体裁融合的形式与史实材料凸显了政论性话语特色,赋予自白文本很强的现实指涉性和实用主义特色。在作者或肯定或否定的自白话语中,凝聚着作者以宗教信仰唤醒人的道德良知与弘扬民族精神的崇高理想,蕴含着浓烈的宗教救世情怀。Astafiev's artistic confessions have unique creative logic and inherent artistic characteristics.Judging from the historical evolution of artistic confessions,on the one hand,the writer has inherited self-understanding of the relationship between man and the world,the ultimate thinking about human existence,and the religious and moral purpose of self-revealing and self-reshaping in the confessional aesthetic consciousness.On the other hand,it also incorporates a highly modern national self-correction consciousness.As a narrative means to express the author's position,artistic confessions highlight the characteristics of political discourse with the help of genre fusion forms and historical materials,giving the confessional texts strong realistic referentiality and pragmatism characteristics.The author's affirmative or negative confessional discourse embodies the author's lofty ideal of awakening people's moral conscience and sustaining the national spirit with religious beliefs,and it contains strong religious salvation feelings.
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