论拉什迪《金屋》对陀思妥耶夫斯基的接受  

On Rushdie's Reception of Dostoevsky in The Golden House

作　　者：张锦 Zhang Jin

机构地区：[1]南开大学文学院

出　　处：《俄罗斯文艺》2025年第1期113-127,共15页Russian Literature & Arts

摘　　要：《金屋》是印裔作家拉什迪的新作,小说对陀思妥耶夫斯基的接受一直为学界所忽视。人物形象上的圣愚痕迹,情节构造对《罪与罚》的化用以及叙事策略同复调小说的共鸣,是《金屋》与陀思妥耶夫斯基有着深刻关联的重要表征。但是,拉什迪又通过人物塑造的非神圣化、情节安排的惊奇化和叙事手段的工具化,改变了陀思妥耶夫斯基小说原有的诗学风貌。于是,《金屋》得到陀思妥耶夫斯基的传承启发之余,亦在传世经典和当下改写的张力下生发出陀思妥耶夫斯基的新景观。tThe Golden House is a new novel by Rushdie,a writer of Indian descent,whose reception of Dostoevsky has been neglected by the scholarly community.The traces of holy foolishness in characterization,the use of Crime and Punishment in plot construction,and the resonance of narrative strategies with polyphonic novels are important indications of the deep connection between The Golden House and Dostoevsky.However,Rushdie also changes the original poetics of Dostoevsky's novel through the desacralization of characterization,the surprise of plotting,and the instrumentalization of narrative devices.Thus,while inspired by Dostoevsky's legacy,The Golden House generates a new landscape of Dostoevsky under the tension between the heirloom classic and the contemporary rewriting.

关 键 词：拉什迪 陀思妥耶夫斯基 《金屋》 影响研究 

分 类 号：I561.074[文学—其他各国文学]