文旅深度融合类影视作品创作中的档案学动力机制分析  

Analysis of the Archival Dynamics Mechanism in the Creation of Film and Television Works with Deep Integration of Culture and Tourism

作　　者：陈勇[1] 刘越 Chen Yong;Liu Yue

机构地区：[1]广西民族大学管理学院

出　　处：《档案管理》2025年第1期79-83,共5页Archives Management

基　　金：国家档案局重点科技项目“广西红色档案资源开发及数据库建设研究”(项目编号:2022-Z-005)阶段性研究成果。

摘　　要：本文以文旅深度融合类影视作品的创作为切入点,对其档案学动力机制进行分析。首先,阐释档案学动力机制的含义,以及依据档案背景辅助创作、依据档案人物展开创作、依据档案事件改编创作的特征;其次,从文化动力、旅游动力、宣教动力三个方面,分析文旅深度融合类影视作品创作中档案学动力机制的构成要素;最后,探讨文旅深度融合类影视作品创作中档案学动力机制的实施路径,即档案“实”化、档案“优”化、档案“活”化。This article takes the creation of film and television works that deeply integrate culture and tourism as the starting point,and analyzes the driving mechanism of archival studies.Firstly,explain the meaning of the driving mechanism of archival studies,as well as the characteristics of assisted creation based on archival background,creation of archival characters,and adaptation of archival events;Secondly,analyze the constituent elements of the archival learning mechanism in the creation of film and televis ion works that deeply integrate culture and tourism from three aspects:cultural motivation,tourism motivation,and the motivation of publicity and education;Finally,explore the implementation path of the archival dynamic mechanism in the creation of film and television works that deeply integrate culture and tourism,Namely,the‘Real’,‘excellent’and‘alive’of Archives.

关 键 词：文旅融合 影视作品 档案学 动力机制 文化动力 经济动力 文化传承 文化产业 

分 类 号：G270[文化科学—档案学] J904[艺术—电影电视艺术]