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作 者:花培培 Hua Peipei
机构地区:[1]蘭州大學歷史文化學院
出 处:《中国俗文化研究》2023年第1期137-146,共10页Studies on Folk Literature
摘 要:黄大王作爲河洛地區的著名河神,其形象經歷了復雜的演變過程。首先,以方志撰修者爲代表的儒家士大夫保留了黄大王的道教色彩,并加以地方化演繹。其後,隨着黄大王在民間社會的影響力漸趨增強,黄大王的道教色彩湮没無存而完全儒家化,這和參與黄大王形象塑造的群體不同以及道教在清代的世俗化發展態勢密切相關。Huang Da Wang,a famous river god in the Heluo area,is not just a boatman,but a figure closely associated with Taoism and Cpnfucianism,which undergone a complex transformation.Firstly,the Confucian scholars,represented by the compilers of local chronicles,preserved the Taoist characteristics of Huang Da Wang,added indigenous style to this figure,and connect his miracles with the officials and scholars as an initialattempt to advance his status.Later,as the influence of Huang Da Wang in civil society gradually increased,he was turned into a Confucian scholar with his Taoist characteristics lost,which is closely related to the different groups involved in the portrayal of Huang Da Wang and the secularization of Taoism in the Qing dynasty.
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