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作 者:无
机构地区:[1]深圳大学
出 处:《世界建筑导报》2024年第S1期80-81,共2页World Architecture Review
摘 要:在建筑空间组织上,设计方案利用原有地形的高差,使建筑空间与环境的结合立体化。正面主入口前设有大台阶,可以直接进入美术馆二层的前厅。一层的主展厅则通过下沉式的室外展示场地,与建筑围合的内部庭院相连。各展厅之间呈线性连接,流线简明顺畅。序厅和休憩空间面向荔枝林开窗,拥有非常好的景观,而展厅内部却相对封闭以利于展品的展示。展室内部的组织则采用动态的、立体化的处理方法,使各展室相互穿插形成环状,在建筑内部还多处设置了架空廊道和拔空空间,使空间效果富于变化,体现出展览建筑的文化特质。In the organization of architectural space,the design scheme leverages the existing topographical variations to create a three-dimensional integration of the building space with its environment.A large staircase at the main entrance allows direct access to the second-floor foyer of the art museum.The main exhibition hall on the first floor connects to a sunken outdoor display area,which is linked to the internal courtyard that surrounds the building.The various exhibition halls are linearly connected,ensuring a clear and smooth circulation flow.The lobby and relaxation areas feature windows facing the lychee grove,providing a wonderful view,while the interior of the exhibition halls is relatively enclosed to facilitate the display of exhibits.The organization within the exhibition rooms employs a dynamic,three-dimensional approach,allowing the spaces to interweave in a circular arrangement.Elevated walkways and void spaces are incorporated throughout the building,introducing variability in spatial effects and reflecting the cultural characteristics of exhibition architecture.
关 键 词:空间效果 主入口 展览建筑 下沉式 休憩空间 围合 主展厅 空间与环境
分 类 号:TU242.5[建筑科学—建筑设计及理论]
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