张爱玲《倾城之恋》中的上海书写  

Shanghai Writing in Eileen Chang's Love in a Fallen City

作　　者：杜鹃 黄丽娟 DU Juan;HUANG Lijuan(International Institute of Chinese Culture,Beijing Foreign Studies University,Beijing 100089,China)

机构地区：[1]北京外国语大学国际中国文化研究院,北京100089

出　　处：《城市学刊》2024年第6期103-108,共6页Journal of Urban Studies

摘　　要：张爱玲的《倾城之恋》创作于上海城市化繁荣时期,不仅描写了一个华丽苍凉的爱情故事,也呈现了一个新旧交织时代的复杂上海形象。从细节世界中的上海生活、“他者”香港地区对照之下的上海形象与白流苏形象的上海隐喻等三个维度考察《倾城之恋》中的文本话语系统与主题意蕴,发现张爱玲笔下的文学上海,较为深入地探究了特殊的租界空间背景下、新旧交陈时代中上海人的生活方式,以及上海破碎与断裂、自由与包容相交织的城市气质。Eileen Chang's Love in a Fallen City,written during the boom period of Shanghai's urbanization,not only depicts a gorgeous and bleak love story,but also presents a complex image of Shanghai in the era where the old and the new are intertwined.By examining the textual discourse system and thematic implications of Love in a Fallen City from three dimensions:Shanghai life in the world of details,the image of Shanghai under the contrast of"the other"Hong Kong region,and the Shanghai metaphor of the character of Bai Liusu,it is found that Eileen Chang's literary Shanghai deeply explores the lifestyle of Shanghai people in the context of special concession space,the era of old and new intersection,as well as the urban temperament of Shanghai's fragmentation and rupture,freedom and inclusiveness interweaving.

关 键 词：城市书写 张爱玲 《倾城之恋》 上海形象 

分 类 号：I206[文学—中国文学]