The Evolution of Landscape Photography:From Humanistic Framing to Posthuman Simulacra  

作　　者：Zhaoyi GENG 

机构地区：[1]Academy of Fine Arts,Changchun Normal Uriversiyp,Changchun,Jilin,130012,China

出　　处：《Costume and Culture Studies》2024年第4期12-18,共7页服饰与文化研究(英文)

摘　　要：This paper explores the evolution of landscape photography from its humanistic origins in the Renaissance to its transformation under the inAuence of posthuman culture in the digi-tal age.Initially an integral part of artistic and visual representation,landscape photography refected humanity's epistemological approach to objectifying nature through the"window perspective."With the rise of postmodernism,poststructuralism,and posthumanism,tradi-tional binaries such as authenticity versus falsity and nature versus artificiality have been deconstructed.Landscape photography now embraces simulacra and digital technology-driven expressions.This study examines how artificial intelligence,virtual reality,and other technologies reshape the meaning of landscape photography,and it highlights the aesthetic and critical potential of contemporary works by artists such as Yao Lu and Yang Yongliang within the broader context of visual culture.

关 键 词：Landscape Photography POSTHUMANISM Simulacra Digital Technology Visual Culture 

分 类 号：TP3[自动化与计算机技术—计算机科学与技术]