凝视如画风景:20世纪的旅游论述与俞剑华的《雁荡纪游图册》  

Picturesque Visions:Discourse of Modern Tourism and Yu Jianhua's Journey to Mountain Yandang in Twentieth-Century China

作　　者：陈蓓 Pedith Chan

机构地区：[1]香港中文大学文学院,中国香港

出　　处：《美术观察》2025年第2期41-50,共10页Art Observation

摘　　要：20世纪30年代,国民政府推行全面的国家建设计划,当中包括透过发展旅游事业来推动交通建设及促进经济发展,从而赋予旅游新的社会文化意义。本文通过重构民国旅游论述,将俞剑华的《雁荡纪游图册》置于30年代的社会和文化脉络,详细分析其雁荡山之旅的游观经验,探索传统山水美学、现代旅游论述与旅游出版物如何建构画家对雁荡山的山水感知与诠释,分析画家与名胜的相遇如何启发他对国画和写生的反思,进而讨论画家之纪游山水如何进入现代的旅游论述成为雁荡山的象征符号。In the 1930s,the Nationalist government implemented comprehensive nation-building initiatives which included enhancing transportation infrastructure and boosting the economy through developing tourism industry,thereby ascribing new sociocultural significance to travel.Through an analysis of Republican China's tourism discourse,this paper examines Yu Jianhua's Journey to Mountain Yandang and his travel experiences within the sociocultural context of the 1930s.It examines how the convergence of traditional landscape aesthetics,emerging tourism discourse,and tourism-related publications shaped the artist's perception and interpretation of Mountain Yandang.It reveals how Yu's encounters with natural wonders led him to reflect on traditional Chinese painting Guohua,and revisit plein air sketching,and how his travel paintings in turn contributed to symbolic representations of Mountain Yandang.

关 键 词：旅游论述 《旅行杂志》 俞剑华 纪游山水 雁荡山 凝视 

分 类 号：J212[艺术—美术]