明清“十八描”类画谱流变考  

A Study on the Evolution of the Ming and Qing Dynasty"Eighteen Strokes"Class Paintings

作　　者：路遥 Lu Yao

机构地区：[1]哈尔滨学院艺术与设计学院

出　　处：《美术观察》2025年第2期66-79,共14页Art Observation

基　　金：2022年11月黑龙江省哲学社会科学一般项目“明清‘十八描’类画谱的流变研究”课题阶段性成果,项目编号:22YSB217。

摘　　要：明代邹德中编次《绘事指蒙》,是目前已知第一部载有“描法古今一十八等”的传统人物画谱。此十八种描法,是邹德中归纳与整理出的南北朝至元代诸名家人物衣褶线描技法的总括,简称“十八描”。后经明清诸家不断地增补与诠释,“十八描”类画谱遂演进成描名、描法释义和谱列图式三者合一的体例。本文以历史文献法对明清“十八描”类画谱的流变进行考证,力图清晰地搭建出此类画谱传承和演进的研究框架,旨在揭示描名、描法释义和谱列图式是如何发生变化的。In the Ming Dynasty,Zou Dezhong's Compilation of Painting Things and Pointing To Enlightenment is the first known traditional figure painting book containing"18 etc.of ancient and modern depictions"These"Eighteen Strokes"are the summaries of the line drawing techniques of the characters from the Northern and Southern Dynasties to the Yuan Dynasty summarized and sorted out by Zou Dezhong,referred to as"Eighteen Strokes".Later,after the continuous addition and interpretation of the Ming and Qing dynasties,the"Eighteen Strokes"type of painting spectrum evolved into a three-in-one style consisting of the description name,the description interpretation and the spectrum schema.This paper examines the rheological changes of the"Eighteen Strokes"of the Ming and Qing dynasties by using the historical document method,and tries to clearly establish a research framework for the inheritance and evolution of such paintings,aiming to reveal how the names of"Strokes",the interpretation of the descriptions,and patterns have changed.

关 键 词：明清“十八描”类画谱 流变 考证 

分 类 号：J21[艺术—美术]