狩猎、荣耀与外交:萨珊王朝帝王狩猎图银盘中的帝国形象构建  

Hunting,Glory and Diplomacy:The Construction of Imperial Image in the Sassanian Silver PlatewithRoyal Hunting Scenes

作　　者：杨静[1] Yang Jing

机构地区：[1]苏州大学艺术学院

出　　处：《美术观察》2025年第2期101-112,共12页Art Observation

摘　　要：帝王狩猎图银盘作为萨珊王朝宫廷仪式的奢侈器具和帝国外交的政策工具,承载着帝国的艺术审美风尚、历史文化传统、宗教信仰习俗和君权神授观念等。本文从美术考古学角度出发,依据图像学分析以及图像与文本的互涉来探究帝王狩猎图银盘的制作意图和社会背景;通过梳理银盘图像的构成和缘起发展,对图像的设计表象和象征隐喻展开分析,进而从帝王故事、宗教权力和外交贸易的多元角度解读帝王狩猎图银盘在构建和传播萨珊帝国形象的强大与荣耀以及服务于帝国的外交与宣传方面的重要意义。As a luxurious object of court ceremony and a tool for imperial diplomacy,the royal hunting scene silver platter of the Sassanian Empire embodies the empire's artistic aesthetics,historical and cultural traditions,religious beliefs,and the idea of divine right of kings.This paper explores the production intentions and social context of the royal hunting scene silver platters from the perspective of art archaeology,based on iconographic analysis and the intertextuality between images and texts.Furthermore,it interprets the significant role of the royal hunting scene silver plates in constructing and disseminating the might and glory of the Sassanian Empire,as well as their importance in serving the empire's diplomacy and propaganda from multiple perspectives including royal narratives,religious authority,andforeigntrade.

关 键 词：萨珊王朝 帝王狩猎图 银盘 帝国形象 外交 

分 类 号：J536.1[艺术—艺术设计] K373.31[历史地理—历史学]