墨韵彩绘 写照自然——屈健谈刘保申的中国花鸟画探索  

Ink Rhyme Painting,Depicts Nature——Qu Jian Discusses Liu Baoshen's Exploration of Chinese Flower and Bird Painting

作　　者：祝捷 屈健 Zhu Jie

机构地区：[1]西安工程大学 [2]中国美术家协会

出　　处：《美术观察》2025年第2期121-127,F0003,共8页Art Observation

基　　金：2024年度教育部人文社会科学研究规划基金项目“当代中国艺术品拍卖业口述史研究”阶段性成果,项目编号:24YJA760152。

摘　　要：本期访谈人物为刘保申先生的学生屈健教授。通过访谈,深入了解到刘保申少年时期艺术启蒙、青年时期求学经历、工作后的艺术历程及艺术风格转变,体会他在中国花鸟画创作中独有的艺术成就与勇于探索的艺术精神。屈健详细讲述了西方绘画、“海派”艺术、“长安画派”等艺术观念对刘保申艺术风格的影响,梳理了其独特的教学方法与教学思想,强调绘画中“借光”和“用光”。尤其在白色禽鸟艺术表现中突出对光与色关系的独特理解与运用,形成特有的色彩表现观念,拓展了中国当代花鸟画创作的“新空间”。The interviewee of this period is Professor Qu Jian,who is a student of Mr.Liu Baoshen.Through the interview,an in-depth understanding has been achieved regarding Liu Baoshen's artistic enlightenment during his childhood,his study experiences in his youth,his artistic journey after work,and the transformation of his artistic style.The unique artistic achievements and the spirit of courageous exploration in his creation of Chinese flower-and-bird paintings have been experienced.Qu Jian elaborated in detail on the influences of western painting,the Shanghai school of art,the Chang'an school of painting,and other artistic concepts on Liu Baoshen's artistic style.His unique teaching methods and educational thoughts have been sorted out,with an emphasis on"borrowing light"and"using light"in painting.Particularly in the artistic expression of white birds,the unique understanding and application of the relationship between light and color have been highlighted,forming a distinctive concept of color expression and expanding the"new space"for the creation of contemporary Chinese flower-and-birdpaintings.

关 键 词：刘保申 花鸟画 借光 探索 

分 类 号：J212[艺术—美术]