工绘融通 形意无间——程向军谈漆画艺术创作  

Integration of Craftsmanship and Painting with Infinite Form and Meaning——Cheng Xiangjun's Discussion on Lacquer Painting Art Creation

作　　者：林岩[1] 阴澍雨[1] 程向军 Lin Yan;Yin Shuyu

机构地区：[1]中国艺术研究院 [2]清华大学美术学院

出　　处：《美术观察》2025年第2期134-139,共6页Art Observation

摘　　要：程向军多年来潜心耕耘漆画艺术,不断强化漆画语言的现代形态和民族气质,逐渐形成个性化的风格面貌。他从大量的写生实践中提取写意精神,积极融入国家主题性创作,不断进行抽象表现实验,融合中西绘画优长,重新诠释传统漆工艺。使漆画在线面虚实之间形成意象性韵律和当代性语境,又保留了漆材质自身的特质,具有独立的审美价值和人文内涵,从而完成了对本土漆画语言的创新性探索。expression experiments,integrating the strengths of Chinese and Western painting with a broad perspective,reinterpreting traditional lacquer craftsmanship.By creating an imagery rhythm and contemporary context between the virtual and real lines in lacquer painting,while retaining the unique characteristics of lacquer material itself,it has independent aesthetic value and humanistic connotation,thus completing innovative exploration of local lacquer painting language.

关 键 词：漆画 艺术语言 材质特性 创新 

分 类 号：J213.9[艺术—美术]