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作 者:贾秀慧[1] 边洁 JIA Xiuhui;BIAN Jie(Xinjiang Work Research Institute,Xinjiang Academy of Social Sciences,Urumqi,Xinjiang 830011;School of Marxism,Xinjiang University,Urumqi,Xinjiang 830011)
机构地区:[1]新疆社会科学院新疆工作研究院,新疆乌鲁木齐830011 [2]新疆大学马克思主义学院,新疆乌鲁木齐830011
出 处:《昌吉学院学报》2025年第1期45-51,共7页Journal of Changji University
基 金:“天山英才”培养计划新疆哲学社会科学人才和文化名家项目(2023WHMJ012)阶段性研究成果。
摘 要:抗战爆发后,全国各族人民积极投身反抗外来侵略的抗日救亡运动中,一大批有民族气节、有血性的作家、艺术家为抗战奔走呐喊,以笔为枪,开创了声势激昂的抗战文艺。新疆地处抗战的大后方,在全国抗日救亡的大背景下,北庭地区的各族人民投身各种救亡活动,其中蓬勃发展的抗战戏剧成为抗战救亡的重要组成部分。20世纪30年代,北庭地区的抗战戏剧随着中国共产党人来到新疆而逐渐兴起;1939年随着新疆文化协会及实验剧团的成立,抗战戏剧的发展达到顶峰。这一时期,大量的戏剧工作者投入到抗战戏剧的创作和演出中,创作出了众多优秀的戏剧作品,这些作品展现了新疆各族人民的英勇斗争和顽强不屈的精神,生动体现了抗战戏剧的斗争性、艺术性、民众性和时代性。After the outbreak of the War of Resistance Against Japanese Aggression,the people of all ethnic groups in the China actively participated in the national salvation movement resisting against Japanese aggression.A large number of writers and artists with national integrity and blood ran and shouted for the the War,and created powerful resisting against Japanese aggression literature and art with the pen as the gun.Xinjiang is located in the rear of the War.Under the background of the War,people of all ethnic groups in Beiting area engaged in various ac⁃tivities of national salvation,among which the vigorous development of the War drama became an important part of the the War.In the 1930s,the drama in Beiting area gradually rose with the arrival of Chinese Communists in Xinji⁃ang.In 1939,the development of the War drama reached its peak with the establishment of Xinjiang Cultural Asso⁃ciation and Experimental Troupe.During this period,a large number of drama workers devoted themselves to the creation and performance of the War drama,creating a large number of excellent drama works,which showed the he⁃roic struggle and indomitable mind of the people of all ethnic groups in Xinjiang,and vividly reflected the struggle,artistry,people’s character and times character of the War of Resistance Against Japanese Aggression drama.
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