“情礼”之间——明嘉靖礼乐研究  

Between"Sentiment and Ritual":A Study on the Rituals and Music of the Jiajing Reign in the Ming Dynasty

作　　者：白佳欢 Bai Jiahuan

机构地区：[1]中央民族大学音乐学院

出　　处：《中国音乐》2025年第1期61-77,共17页Chinese Music

摘　　要：明世宗嘉靖四十余年的礼乐实践,对明中后期礼乐、乐学的发展产生了深远影响,构筑了明清国家礼仪用乐的主体框架。此间,“情”与“礼”历经人情与礼法、治统与道统、国家与地方、雅与俗的多维塑造,在互动中实现融合。在“情礼”多向互动中,嘉靖礼乐展现从冲突到调和、最终融合的阶段性特点。本文提炼并引入“情礼”视角,旨在探究明中后期礼乐发展中礼法与现实政治的矛盾,揭示古代礼乐变革的内在动力与深层内涵,为中国礼乐话语体系提供解读新视角。The more than 40 years of ritual and music practices during the reign of Emperor Shizong(Jiajing)of the Ming Dynasty had a profound impact on the development of rituals and musicology in the middle and late Ming Dynasty,shaping the main framework of ritual music for state ceremonies in the Ming and Qing Dynasties.During this period,the concepts of"sentiment"and"ritual"underwent multi-dimensional shaping,including the interplay between human sentiment and ritual law,the rule of governance and the Confucian orthodoxy,the state and localities,as well as elegance and folk,ultimately achieving fusion through interaction.In the multi-directional interaction between"sentiment"and"ritual",the Jiajing rituals and music demonstrated staged characteristics,evolving from conflict to reconciliation and ultimately fusion.By refining and introducing the perspective of"sentiment and ritual,"this paper aims to explore the contradictions between ritual law and practical politics in the development of rituals and music in the middle and late Ming Dynasty,reveal the internal driving forces and deep connotations of ancient ritual and music reforms,and provide a new perspective for interpreting the discourse system of Chinese rituals and music.

关 键 词：嘉靖 礼乐 大礼议 情礼 

分 类 号：J609.2[艺术—音乐]