湘桂边界平地瑶“还愿”仪式声音景观的建构与认同  

The Construction and Identity of the Pingdi Yao's"Huanyuan"Ritual Soundscape on the Hunan-Guangxi Border

作　　者：杨声军 Yang Shengjun

机构地区：[1]湖南人文科技学院音乐学院

出　　处：《中国音乐》2025年第1期113-127,共15页Chinese Music

基　　金：2021年度湖南省哲学社会科学基金项目“湘南过山瑶婚俗仪式音乐文化志书写”(项目编号:21YBA167);2023年度湖南省哲学社会科学基金项目“湘南平地瑶传统婚俗音乐文化变迁研究”(项目编号:23YBA239)的阶段成果。

摘　　要：本文通过对平地瑶“还愿”仪式声音景观构建的描述与文化阐释,对平地瑶历史、社会、文化之间的深层次逻辑关系予以观照,得出平地瑶“还愿”仪式声音景观是过山瑶音乐文化“濡化”以及族群互动视域下音乐文化“涵化”的结果。同时,平地瑶地方的“小传统”与国家的“大传统”呈现出一致性与差异性的双重特点,经过“大传统”与“小传统”的双向互动建构,形成了以血缘为基础,以地缘为纽带,最终形成了以文化交融为桥梁的三维认同格局。This article provides a cultural interpretation of the construction of the soundscape in the"Huanyuan"ritual of the Pingdi Yao people,examining the profound interconnections between their history,society,and culture.The study concludes that the soundscape of the"Huanyuan"ritual results from the"acculturation"of the Guoshan Yao's musical traditions and the"enculturation"of musical influences arising from ethnic interactions.Additionally,the interplay between the"little traditions"of the Pingdi Yao's local context and the"great traditions"of the nation demonstrates both consistency and divergence.Through the bidirectional interaction and construction of these traditions,the Pingdi Yao have formed a multi-dimensional identity framework rooted in kinship,geographical ties,and ultimately,cultural integration.This research sheds light on the ways in which soundscapes mediate identity construction in ethnically diverse contexts.

关 键 词：平地瑶 “还愿”仪式 声音景观 文化建构 认同 

分 类 号：J607[艺术—音乐]