从概念出发到概念结束论藏族传统民歌的主位分类  

Exploring Emic Perspectives:The Conceptual Classification of Tibetan Folk Songs

作　　者：扎西东珠 Zhaxi Dongzhu

机构地区：[1]乐山师范学院音乐学院 [2]四川省教育厅“藏羌彝走廊民族音乐研究中心”

出　　处：《中国音乐》2025年第1期128-142,共15页Chinese Music

基　　金：2019年度国家社科基金重大项目“环喜马拉雅艺术图谱绘制”(项目编号:19ZDA045);2023年度乐山师范学院高层次人才引进科研启动项目“藏族传统民歌文化调查研究”(项目编号:RC2023021)的阶段成果

摘　　要：对于藏族传统民歌的分类及相关概念,国内外音乐学界均做出过解读与判断。笔者经文献梳理及田野调查发现,无论是学者抑或是民间音乐持有者,对藏族传统民歌主位分类概念均无统一的认知。本文聚焦与民歌唱词密切关联的诗歌体结构,借鉴音乐人类学相关分类理论,以归纳和演绎法展开分析,提出藏族传统民歌主位分类概念的核心与“鲁”和“谐”两种古代诗歌体密切相关。The classification and related concepts of Tibetan folk songs have been extensively discussed and interpreted by both domestic and international music scholars.However,a comprehensive literature review and field investigations reveal that neither scholars nor folk music practitioners have reached a unified understanding of the emic classification concept of Tibetan traditional folk songs.This study examines the intricate relationship between the poetic structure of folk song lyrics and their classification.Drawing on relevant ethnomusicological classification theories and employing both inductive and deductive analytical methods,this paper identifies the core of the emic classification concept as being closely associated with the two ancient poetic styles of"Glu"and"Gzhas."

关 键 词：藏族传统民歌 归纳与演绎 本土分类 主位概念 诗歌体 

分 类 号：J607[艺术—音乐]