内涵·溯源·途径——瓦雷兹的音响噪音化声音观念及其创作实践研究  

Connotation,Source,and Approach:Exploring Varese's Sound Concept of Sound Noisification and Its Creative Practice

作　　者：黄玥 Huang Yue

机构地区：[1]合肥师范学院音乐学院 [2]安徽大学

出　　处：《中国音乐》2025年第1期162-175,共14页Chinese Music

基　　金：2024年度安徽省高校科学研究重点项目“埃德加·瓦雷兹的声音观念及其创作实践研究”(项目编号:2024AH053115);2024年度高校中青年教师培养行动优秀青年教师培育一般项目“内涵·溯源·途径埃德加·瓦雷兹的创作观念及实践研究”(项目编号:YQYB2024052)的阶段成果。

摘　　要：埃德加·瓦雷兹是20世纪最重要的西方先锋作曲家之一。他在音响噪音化方面的实践对现代音乐创作产生了重大影响,在声音观念从传统走向现代方面产生了积极的推动作用。本文拟从内涵、溯源和途径三方面,对其进行一次整体、系统的研究,希望进一步强化对瓦雷兹在推动现代音乐创作上所作贡献的认知,并从中吸取促进我国当代音乐创作发展的有益经验。Edgard Varese,a pivotal composer in 2Oth-century Western avant-garde music,made practices in the field of sound noisification,profoundly influencing modern musical creation.His practices facilitated a transformative shift in the concept of sound,bridging the differences between traditional and modern sound concepts.This paper conducts a comprehensive and systematic research on Varese's sound noisification from three perspectives:the core connotation of sound noisification,its historical origins,and the approaches to its realization.The study aims to underscore Varese's crucial role in advancing modern musical creation and to draw insights from his practices to inspire contemporary music creation in China.

关 键 词：瓦雷兹 音响噪音化 声音观念 内涵 溯源 途径 

分 类 号：J614.8[艺术—音乐]