“颠覆”的民间性——秦文琛筝乐作品演奏研究  

Exploring the Folk Elements of"Subversion":A Study on the Performance of Qin Wenchen's Zheng Works

作　　者：刘文佳[1] Liu Wenjia

机构地区：[1]武汉音乐学院

出　　处：《中国音乐》2025年第1期193-208,共16页Chinese Music

摘　　要：本文以作曲家秦文琛20世纪90年代初至今创作的16首筝乐作品为研究对象,从新音色、音高组织关系、节奏特征、音乐结构几个方面,研究与秦文琛筝乐创作特色相契合的演奏思路、演奏方法,着重对常规演奏训练中较少提及的思路和方法进行解读,进而对当代筝乐演奏技术体系、创作与表演的关系、筝乐表演艺术与中国传统音乐文化的关系进行反思。This study examines the performance of 16 Zheng music works composed by Qin Wenchen from the early 1990s to the present.It analyzes performance concepts and methods that align with the distinctive characteristics of Qin Wenchen's Zheng compositions,focusing on aspects such as new timbre,pitch organization,rhythmic features,and musical structure.Special attention is given to performance approaches that are less commonly addressed in traditional performance training.Furthermore,the study reflects on the contemporary system of Zheng performance techniques,the interplay between composition and performance,and the relationship between Zheng music performance art and traditional Chinese musical culture.

关 键 词：秦文琛 当代筝乐 筝乐演奏 颠覆性 民间性 

分 类 号：J632.32[艺术—音乐]