临摹与收藏:张大千艺术人生的引擎  

Copying and Collection: The Driving Force for ZHANG Daqian’s Artistic Life

作　　者：王长安 袁一田 傅佑全 王冬妮 黄铃茜 WANG Changan;YUAN Yitian;FU Youquan;WANG Dongni;HUANG Lingqian(Editorial Department of Journal,Neijiang Normal University,Neijiang Sichuan 641100,China;Ginkgo College of Hospitality Management,Chengdu Sichuan 611743,China)

机构地区：[1]内江师范学院学报编辑部,四川内江641100 [2]成都银杏酒店管理学院,四川成都611743

出　　处：《乐山师范学院学报》2024年第12期91-96,共6页Journal of Leshan Normal University

基　　金：四川张大千研究中心自筹项目“张大千旅居海外收藏研究”(ZDQ2022-17)。

摘　　要：临摹中国古代书画名作是初学绘画和书法学生的一种常用且行之有效的传统学习方法。对张大千来说,临摹的内涵更加丰富。张大千把临摹变为学习古人、研究古代绘画艺术的主要途径。此外,张大千酷爱收藏古代书画珍品。但张大千不同于一般古董商人或收藏爱好者,他做收藏固然有投资的目的,但更多是为了研究。张大千的藏古和仿古成为他艺术人生的起点,为日后走向艺术巅峰奠定了坚实的基础。Copying the well-known paintings and calligraphic works is a common but very effective way for beginners in painting and calligraphy.For ZHANG Daqian,the connotation of copying was even richer.ZHANG Daqian turned copying into a way to study the predecessors and their painting and calligraphic art.Moreover,ZHANG Daqian was keen on collection of ancient paintings and calligraphic treasures.However,he differed from ordinary antique dealers or collectors.While he did have investment goals in his collections,his primary motive was for research.His collection and copying became the starting point for his art life,and laid the solid foundation for him to get to the art peak.

关 键 词：张大千 临摹 收藏 融古 化古 

分 类 号：K825[历史地理—历史学]