大地艺术视角下新农村文化建设的创新——以哈尔滨闫家岗稻田画艺术为例  

On the Innovating the New Countryside Culture Construction from the Perspective of Land Art

作　　者：李雨乔 Li Yuqiao(School of Fine Arts,Jilin University of Art,Changchun 130021,China)

机构地区：[1]吉林艺术学院美术学院,吉林长春130021

出　　处：《黑河学院学报》2025年第1期180-182,185,共4页Journal of Heihe University

摘　　要：稻田画是大地艺术传播媒介的方式之一。随着我国经济的不断发展,城市化进程的加快,人们对审美需求也在不断增加。近年来,稻田画在我国不断兴起,北大荒集团闫家岗稻田画在2023年掀起了一小波的流量浪潮,吸引大波观众慕名前往打卡观赏。以大地艺术的角度出发,结合闫家岗稻田画的自然与人文区位条件,探究闫家岗稻田画的艺术内容与美育功能,并对闫家岗稻田画项目提出可持续发展的建议。Rice paddy painting is seen as a media way to spread land art.With the continuous development of our country’s economy and the acceleration of urbanization,people’s aesthetic demand gets constantly increasing.In recent years,rice field painting continues to rise in our country,and the Yanjiagang rice field painting of Beidahuang Group set offa small wave of mass flow in 2023,attracting a large wave of viewers to clock in and watch.From the perspective of land art,and in light with the natural and cultural location conditions of Yanjiagang rice paddy painting,this paper probes into the artistic content and aesthetic education function of Yanjiagang rice paddy painting,and puts forward suggestions for sustainable development of Yanjiagang rice paddy painting project.

关 键 词：大地艺术 稻田景观 闫家岗稻田画 

分 类 号：F30[经济管理—产业经济] G112-2[文化科学]